Entry tags:
(no subject)
Without the money from Todd Chad, the work is certainly different.
It's more violent, for one, with Philip taking whatever he can get. It's usually something as simple as delivering a warning, roughing someone up, making sure to leave behind a few good bruises before he walks off into the night, and it's not as if he isn't used to it, he's done far worse things for money, but he'd had things so easy for a time.
Still, he has plenty of money at the moment and so he's not particularly concerned about his financial state. The work is harder and he'd quite enjoyed coasting, but there's a fair bit of enjoyment to be had in all this as well. To be had in wrapping his arm around someone's throat from behind and pulling them into the shadows where he can deliver a few well placed blows in near silence.
That isn't what he's doing tonight, though he supposes the job is just as illegal. There are four different men who owe money to a certain loan shark in the city and in this case, Philip's job hasn't been to rough them up or break their fingers or anything violent at all, although he's delivering a message all the same. Over the course of the night, he's broken into three different homes and left a framed family portrait in the middle of the kitchen or dining room table. On each photograph, a red line had been drawn across the throat of the man's wife and any children he has.
It's a little dramatic and silly, but Philip is being paid to deliver the portraits and so he does.
He's just finished the last and is easing his way out of the house when he realizes he's not entirely alone. There's someone on the street and although he can't be entirely certain, he thinks he may have been seen.
It's more violent, for one, with Philip taking whatever he can get. It's usually something as simple as delivering a warning, roughing someone up, making sure to leave behind a few good bruises before he walks off into the night, and it's not as if he isn't used to it, he's done far worse things for money, but he'd had things so easy for a time.
Still, he has plenty of money at the moment and so he's not particularly concerned about his financial state. The work is harder and he'd quite enjoyed coasting, but there's a fair bit of enjoyment to be had in all this as well. To be had in wrapping his arm around someone's throat from behind and pulling them into the shadows where he can deliver a few well placed blows in near silence.
That isn't what he's doing tonight, though he supposes the job is just as illegal. There are four different men who owe money to a certain loan shark in the city and in this case, Philip's job hasn't been to rough them up or break their fingers or anything violent at all, although he's delivering a message all the same. Over the course of the night, he's broken into three different homes and left a framed family portrait in the middle of the kitchen or dining room table. On each photograph, a red line had been drawn across the throat of the man's wife and any children he has.
It's a little dramatic and silly, but Philip is being paid to deliver the portraits and so he does.
He's just finished the last and is easing his way out of the house when he realizes he's not entirely alone. There's someone on the street and although he can't be entirely certain, he thinks he may have been seen.
no subject
"Guess I can mark that one off my list," he says, grinning as he reaches out to brush his fingers along Philip's stubbled cheek.
He's still breathing a little hard, his muscles loose and he still feels like there could be more here. He wonders how far Philip would be willing to go as he leans in closer, eyes dark. "Tell me -- how many people have you fucked in a stranger's back garden?"
no subject
His cock twitches at the mere thought and he can feel heat beginning to build again.
"Is that what you want?" he asks, grinning at Freddie in the dark. "Do you want me to turn you over on this little bit of lawn furniture and fuck you until you're loud enough that the lights finally turn on?"
no subject
"The point is to not get caught," he insists, his voice low against Philip's lips. "I can stay quite as a mouse while you're fucking me." He arches an eyebrow then as he loosens his hold on Philip's shirt, sliding it downward to tug the tail end free of Philip's trousers, spreading his hand wide over warm skin. "Unless it's the challenge you want. See if you can make me break and start begging for you?"
no subject
"I'll fuck you until you can't breathe," he promises in a low voice. "Words won't be a concern."
And then he kisses Freddie again, heedless of his answer. He has a feeling he knows what it will be, regardless of where they've found themselves. The danger truly is part of the thrill, after all.
no subject
"Better make it quick," he says between one gasp of breath and the next as he clumsily tugs at Philip's underpants and shifts closer, right up to the edge of the chaise. He pulls away soon enough, his lips bruised and breath fast in his lungs, lifting up enough to tug his own underwear and trousers down his thighs. "Wouldn't want to get caught balls deep in a bloke, would you?"
In truth, a bit of Freddie finds the prospect incredibly alluring. But he's not keen on getting arrested for indecent exposure either.
no subject
Even now, he's careful about what he does.
"Wouldn't want to get caught either way," he says instead, because he's not about to let anything ruin this. He tugs at Freddie's trousers, getting them down further and he knows it's going to be a tight fit, rough and quick, but that makes it somehow more appealing. "Ought to get me ready, shouldn't you?"